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The New York Post (April 7th 2000)

In this interview, the fuchsia-haired Stefani -- who just turned 30 -- revealed that the last couple of years have been turbulent, due in large part to her breakup with longtime boyfriend Tony Kanal, who's still a bandmate.

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AOL (April 2000)

Gwen, Tony, Tom and Adrian of No Doubt chatted LIVE about their tour in support of their new release, Return of Saturn. It features a number of hits, including the new single "Ex-Girlfriend."

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Mean Street (April 2000)

No Doubt has grown up. The proof? Return Of Saturn, the long-prolonged sophomore follow-up to 1995’s commercial success, Tragic Kingdom.

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MuchMusic (March 26th 2000)

It's a beautiful Sunday afternoon in Toronto and legions of No Doubt fans, coming to see the band. In the next hour, we're gonna be seeing them perform music from their most recent album, as well as asking them questions.

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Boston Globe (March 24th 2000)

From the band's point of view, though, it can be a daunting task to grab the brass ring again. Writer's block can creep in. So can self- doubt, which the ironically named No Doubt has fought ever since it began more than a decade ago.

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Billboard Magazine (March 11th 2000)

In the fickle world of pop music, waiting five years to release a new album can be risky— even for a multi platinum act. Will the act’s fans stay loyal? Or will they ignore the act and move on to the next big thing?

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Boston Phoenix (March 6th 2000)

“If I could pick one word that would be the theme for this album,” says No Doubt’s singer and frontwoman, Gwen Stefani, “it would be confusion.”

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OC Weekly (Feb. 24th 2000)

The very-long-awaited new album, Return of Saturn, again drips with disillusionment, although through themes that are at once more universal and more personal. It seems like the obvious, seamless next step for the band—and it's unquestionably the final disconnect with its ska roots.

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Alternative Press (January 2000)

No Doubt drummer Adrian Young and guitarist Tom Dumont played A.P. a stack of tracks from the upcoming album, all of which show the band at their creative zenith. They’ve learned that less is more; less convoluted songwriting equals more powerful songs.

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